This MGM musical has a few shots of model ships by the ever reliable Arnold A Gillespie and team. The ships were 1/12th scale with some foreground palm trees at 1/4 scale. The night shots were, as was usual, taken in the middle of the day using the day for night technique. The scenic art for the background night skies is also very convincing and contributes greatly to the success of the effect.
Monday, 23 November 2015
Subscribe to:
Post Comments (Atom)
Most Popular posts in the last 7 days
-
Tora Tora Tora stands out as a prime example of the art of model ships in the cinema due largely to the scale of the the work undertaken and...
-
Visual Effects Supervisor - Scott Squires Visual Effects Director of Photography - Patrick Sweeney The effects for this movie were orig...
-
According to L B Abbott in his comprehensive book" Special Effects - Wire, Tape and Rubber Band Style" (The ASC press 1984), ...
-
Won oscar for best Special Effects (1955). Probably the most recognised submarine shape ever, fictional or otherwise, was the Nautilus des...
-
I saw this film in the cinema with my Dad on a free double pass that I won as a teenager. I remember feeling at the time that it was fai...
-
Rengô kantai shirei chôkan: Yamamoto Isoroku , original Japanese title literally translated as Combined Fleet Admiral – Isoroku Yamamoto. ...
No comments:
Post a Comment