The Guns of Navarone 1961

This film won an Oscar for visual effects for its miniatures supervisor Bill Warrington and rightly so as it has a terrific model Greek fishing boat in a storm sequence as well as climaxing with an explosive  model destruction sequence concerning the guns of the title. There is also a miniature Lancaster aircraft crash sequence at the start of the movie, a mostly full size German patrol boat explosion is augmented with some close ups on a miniature version which then sinks. A British destroyer coming through the water thrown up by near misses from the guns also make an appearance in miniature form in a couple of cuts. The full size gun cave set is pretty impressive as well.

Wally Veevers supervised the Optical effects with Bob Cuff responsible for a number of matte paintings sprinkled throughout.

Projected miniature ocean effects also provide the backdrop for the cliff climbing scenes. The Actors are actually lying horizontally on the rock set piece constructed on the floor of the studio with a rear projection screen vertically behind them.

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Run Silent Run Deep 1958

Some state of the art for 1958 miniature effects here, not surprising given the miniatures were supervised by Howard Lydecker and photographed by Clifford Stein. A Arnold Gillespie also gets a credit, again no slouch when it comes to miniature effects, though here I think he may have been responsible for the rear screen process shots.

Along with the expertly produced bespoke model footage is the usual stock torpedo shots that appear again and again in model ship movies since the 1940’s.

According to IMDB the underwater model sequences were shot at the Salton Sea, however it is more likely that the surface shots were done there with the underwater shots done in a Studio tank or pool. The Salton Sea is a very large lake in California which is now under some ecological pressure and greatly diminished from what it was in 1958. It was used as a miniatures filming site by Fantasy II Film Effects for shots of the NTI Ark spires rising up out of the sea in The Abyss (see The Abyss part 3).

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Raise the Titanic 1980

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I saw this film in the cinema with my Dad on a free double pass that I won as a teenager. I remember feeling at the time that it was fairly lackluster in execution… except for the sequence of the Titanic breaking the surface, which was to me, then as now, the single most brilliantly staged and photographed miniature effect ever captured on film. It is pretty apparent that the filmmakers thought so too as they re-used the overhead back lit angle in its entirety, without a cut, for the whole end credits sequence. The sequence was shot using a high speed camera at 360 frames per second by Bruce Hill who was a specialist in high speed cinematography. 360 frames per second is 15 times faster than the normal rate of 24 frames per second, making 1 second in reality last 15 seconds on the screen, about as fast as it was possible to get 35mm film to move through a camera using a pin registered intermittent movement ( see this post for more). The shots of the large model Titanic with all the water streaming off, with sparkling highlights glinting off the drops is truly spectacular. The Model sequence supervisor was John Richardson, once again some really great miniature work. See North Sea Hijack for more of his work.

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The model Titanic was 55 feet (16.76m) long, 12 feet (3.66m) high and weighed around 10 tons (9.07t). This makes it’s scale to be 1/16th. It was built at the CBS studios in California and reportedly cost 3 million pounds. The hull is made from fiberglass with the superstructure built from steel, wood and resin. Inside the hull was piping and flotation tanks. Controversially for some fans, changes were made to the model, namely two ventilators either side of the forward mast, so that it more closely resembled the bow section of the full size ship (Athenia) used for the live action shots on board, thus spoiling the accuracy somewhat. The model was attached to a rig for the surfacing shots so the action could be repeated for the 28 times it took to acquire all the shots needed for the high speed sequence.

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John Richardson walking the deck

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Two miniature tug boats were also built to the same scale. At least three Miniature remote controlled submersibles were constructed for the search sequences, one imploding as it supposedly drops past its rated depth. There is also in evidence at least one miniature (possibly more) naval vessel in the background of a few surface model shots. Other miniatures include the floatation tanks, the sea floor mines and a close up submersible manipulator arm used to set the mines in position and arm them.

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A smaller 6 foot Titanic model was constructed but is only used in a long shot on the sea floor and a few shots as it rises up to the surface. I saw this model when it was very briefly exhibited in a glass case at a replica gold mining tourist attraction in Armadale, a suburb of Perth Western Australia, called Pioneer Village in the early 1980’s. It looked like it was made of brass sheet but was painted with a variety of stippled colours to represent the underwater accretion and corrosion.

Ken Marschall was a consultant for the miniature Titanic.

Ken Marschall was a consultant for the miniature Titanic.

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rtt model No10

 

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Surface shots were photographed using the already existing large shallow tank at the studio facility on the Island of Malta. You can see the overflow edge in many of the behind the scenes photographs taken from a high angle. The surfacing rig was set up in the deeper well section in the middle of the tank.

A new deep water tank was constructed by the production for the underwater shots on adjacent land purchased expressly for it by the Maltese Government. The deep water tank was about 39 feet (12m) deep and had a 90 foot (27m) diameter turntable on the bottom in the center on which rests the Titanic model and some miniature sea bed. At the time it took 24 hours to fill it with 9 million Gallons (34068 m3) of seawater.

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Deep tank being filled

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There are a couple of matte painted shots of the ship being towed into New York harbor which are not as successful as the miniature shots.

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Titanic is a painted Matte

Titanic is a painted Matte

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There was a sequence of the sinking of the Titanic shot with the big miniature first. The model was originally finished with a pristine paint job, outfitted with interior lighting and had all its funnels intact.  After these scenes were completed it was converted into the wreck version we see in the film. Unfortunately, this sequence was cut from the film.

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Sadly the miniature has just been left outside to slowly disintegrate in the weather since 1980. At one point it was repainted as a hospital ship, white with red crosses on the side, and used for a few shots in a production, though even that paint job has totally deteriorated.

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Still photographs fail to capture the magic of the 360 fps high speed footage of the surfacing sequence, but Raise the Titanic has just been released on Blu ray so you are now able to see it in all its glory.